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The fractal background was great fun to compose, and called for the use of a wide 

selection of digital imaging tools. The image of the orchestra was scanned from a 

35 mm slide. The selection of the orchestra from the slide and the manipulation of 

the fractal patterns were time-consuming.  The fractals  were first created using the 

fractal generation program FRACTINT but then coloured and  heavily  manipulated 

using commercial image manipulation programs.  The image  gets criticised because 

the  fractal background dominates, but for me the background sets a mood for the  

music and is an important feature.   I'll perhaps do another image where the background 

is more muted.